Factors to selecting the right ENTASYS model
This article will help you decide between an Entasys FR and an Entasys 200 family column
WHEN TO USE ENTASYS FR
A line source/line array system is exceptionally well-suited for use in reverberant spaces because of its high degree of pattern control of where it is imperative that sound must be directed to the audience areas only, and not bounce off other strongly reflective room surfaces. Line arrays are often the “first-choice” for maximizing speech intelligibility, especially in difficult acoustical environments. The same properties that support speech intelligibility also support musicality, particularly in providing clear instrumental tones, well defined attack and decay times, and accurate musical timbre. Consequently, the ENTASYS FR three-way column may be the best choice when both speech and accurate reproduction of acoustic and orchestral instruments are desired. The rich sound, added directivity, and tight pattern control make a column-style line array like the ENTASYS FR the premium option for jazz, folk, and classical performance venues. Relative to the upper mid and high frequencies, listeners further from a single ENTASYS FR array may notice a lower frequency range drop off. This can be solved by extending the height of the column array with additional FR or LF modules. Taller arrays demonstrate more spectral balance between bass, mid, and high frequencies when compared to shorter arrays. ENTASYS FR will provide a richer wide spectrum experience with less noticeable decrease in frequencies when the configuration is optimized to provide even coverage for the entire audience. Sometimes to accomplish this, the array must be both trimmed relatively high and consist of multiple stacked loudspeakers (ENTASYS FR and LF modules). This can also reduce the number of fill loudspeakers needed to cover the audience.
WHEN TO USE ENTASYS 200
The ENTASYS 200 models solve acoustical challenges and offer affordable solutions. The four models meet coverage expectations; from music reinforcement in small spaces, to music and voice intelligibility in meeting halls or houses of worship, to defined audience coverage in mid to large size theaters and auditoriums. Refer to the ENTASYS 200 Application Guide Part 2 - Case Studies publication for a small representation of the applications that ENTASYS 200 is best suited for.
• When the ceiling height is minimal in relation to the depth of the room, it may not be possible to position a multi-stacked line array, or a point source system sufficiently high enough at the front of the room to provide consistent coverage from the front to the rear, and will require additional numbers of point source loudspeakers further back in the room. Instead, positioning an ENTASYS 200 system at the front of the room provides high pattern control and achieves more consistent SPL levels from the front to the rear of the room. This also reduces the number of fill loudspeakers necessary to provide full coverage of the audience area.
• When there are side seating or narrow balcony areas that need consistent sound, the smaller models (ENT203, ENT206) provide similarly voiced fill in combination with the larger model coverage of the main audience area.
• When budgetary constraints preclude the higher priced three-way system, an ENTASYS 200 system provides a cost-effective rich-sounding full-range alternative.
The ENTASYS 200 models are a versatile and ideal solution for challenging acoustical environments, providing coverage only where needed, especially in moderately highly reverberant venues. If it isn't feasible to have a tall multi-column array(s) to cover the audience area, or a small loudspeaker is needed to cover a particularly challenging space, the best option is ENTASYS 200. The ENTASYS 200 columns share coverage characteristics very similar to typical two-way loudspeakers. They are designed to provide an affordable alternative with refined pattern control and consistent sound throughout the coverage area.
Which E-Series System?


